Well, the show's over. I Love You Because had an amazingly successful run, and the past few days have consisted of my least favourite part of a show: The Strike. Basically, you take all your hard work on the production team and dismantle it. The sad thing about theatre, is that every show must come to an end. The final performance, the final look at the set, the theatre, the props all neatly laid out on their tables, and it all comes down, either to be taken apart or stored away. All my props were neatly packed up into boxes and packed away or given back to the many people they were borrowed from. Our basement gained a couch, and our futon is on its way back home. It almost feels like moving, but with nowhere to go to. Sigh.
In other news, our cast party was this Sunday as well, cake was eaten, ceremonial boxed wine was drunk, laughs were had by all. Now I just get to sit back, let my writer's brain take over once more and wait for the next show, which may be Fiddler on the Roof if my audition goes well (fingers crossed), and I will not tell you what part I want- don't want to jinx anything! This will be my first musical as a performer since before the babies were born. So excited!
On the writing front, I was supposed to be on Rogers Daytime talk show this Thursday, however I was told that some scheduling had to be reworked and I have since been moved to May 2nd. This is both disappointing and a small bit of a relief. I was nervous about it, and now have a bit more time to prepare. It's funny, people I've spoken to don't get why I would be nervous about this sort of thing. They tell me things like "Ali, you've sang and danced on stage, and interview should be so easy!" or "Ali, you've been in so many shows. You've been possessed, you've died and played piano. Why does this scare you? You're being so silly!" While all this is true, what they don't understand is one simple thing: The musicals I've been in all have one thing this does not. A SCRIPT! When I was Beth in Little Women, and Jack in Into the Woods I had a big book that told me exactly what to say. I had all these notes I took of my blocking telling me where to go and when. Here, I'm all on my own. True I'm giving them a small list of talking points, but I've no guarantee they'll follow them. It's up to me to present myself and The Strings of the Violin in the best possible light, and not look like a yammering fool. Yikes!
My brother told me that when Steppin' Out was on a similar show trying to drum up publicity for their production of Man of La Mancha, they were told by the interviewer that he had called the theatre to do research and when he had been told the show was about Don Quixote, he heard "Donkey Hotel" and couldn't figure out why anyone would do a show about a hotel for donkeys. Oy. Here's hoping my interview goes well, and is not at all like that.
In other news, our cast party was this Sunday as well, cake was eaten, ceremonial boxed wine was drunk, laughs were had by all. Now I just get to sit back, let my writer's brain take over once more and wait for the next show, which may be Fiddler on the Roof if my audition goes well (fingers crossed), and I will not tell you what part I want- don't want to jinx anything! This will be my first musical as a performer since before the babies were born. So excited!
On the writing front, I was supposed to be on Rogers Daytime talk show this Thursday, however I was told that some scheduling had to be reworked and I have since been moved to May 2nd. This is both disappointing and a small bit of a relief. I was nervous about it, and now have a bit more time to prepare. It's funny, people I've spoken to don't get why I would be nervous about this sort of thing. They tell me things like "Ali, you've sang and danced on stage, and interview should be so easy!" or "Ali, you've been in so many shows. You've been possessed, you've died and played piano. Why does this scare you? You're being so silly!" While all this is true, what they don't understand is one simple thing: The musicals I've been in all have one thing this does not. A SCRIPT! When I was Beth in Little Women, and Jack in Into the Woods I had a big book that told me exactly what to say. I had all these notes I took of my blocking telling me where to go and when. Here, I'm all on my own. True I'm giving them a small list of talking points, but I've no guarantee they'll follow them. It's up to me to present myself and The Strings of the Violin in the best possible light, and not look like a yammering fool. Yikes!
My brother told me that when Steppin' Out was on a similar show trying to drum up publicity for their production of Man of La Mancha, they were told by the interviewer that he had called the theatre to do research and when he had been told the show was about Don Quixote, he heard "Donkey Hotel" and couldn't figure out why anyone would do a show about a hotel for donkeys. Oy. Here's hoping my interview goes well, and is not at all like that.
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